Emma tells her that everything she thinks about her is actually her daughter, and that Theresa and Parker were in love before she met him. Emma is disgusted that Mary sent a rapist to find her, but Mary states she needed a “monster to find a monster.” Emma locks John in a cupboard and then Mary pulls a gun on her and asks the truth - Emma laughs and says she is a hairstylist, and that you can love someone and not know the truth about them. What’s worse: Someone else is there, too, though Emma doesn’t really get a good look at the hooded figure before she makes a hasty exit.The next morning, Mary and Emma drag John’s body into the kitchen. And when Emma recovers enough to look for the girl… she finds her, dead, in her secret hiding place. But later on, after Emma finds out about Kit’s death, she takes a whole bunch of pills and is really out of it when Jess comes banging on her door, seemingly in trouble. Jess brings Emma to a hideout in the swamp where she goes to be alone, gives her a necklace and calls her “my true friend.” Emma, moved, thanks her. The act earns her an instant pal in the girl, who is a resident of a group home. When a girl named Rose ( Gerald’s Game‘s Chiara Aurelia) puts gum in the hair of a girl named Jess ( Fargo‘s Emyri Crutchfield), Emma loses it and smashes Rose’s face into a mirror. In Louisiana, Emma hasn’t been in her new town long before she intervenes in some mean-girl nonsense going down in a restaurant’s bathroom. “Otherwise, John, I will make sure everyone knows exactly who you are,” she threatens. She gives him an envelope of information/credit cards and four weeks to make it all happen. Toward the end of the hour, though, Mary shows up at John’s door and hires him to find Emma for her. “I can tell you everything about the gaps where ladies think that they’re safe.” When he won’t engage with her about what might have made someone like Theresa, specifically, a serial criminal’s prey, Mary bids John good day. “I was every woman’s worst nightmare,” he says. He has done his time and now offers his, uh, unique services to Mary’s organization. One day, a convicted rapist named John ( The New Adventures of Old Christine‘s Hamish Linklater) arrives at the foundation for a meeting. Her husband, Saul ( Nashville‘s Charles Esten), and son, Jake ( The Fosters‘ Elliot Fletcher), don’t agree Mary’s refusal to admit that Theresa might be dead has driven her and Saul apart, though they’re friendly and he lives in a trailer parked in the backyard of their home. Mary insists that Theresa is alive and out there somewhere. Meanwhile, back in Texas, Mary has dedicated her entire life - and a recently formed foundation - to finding Theresa, who’s been missing for several years. And Kit isn’t providing any answers: As we’ll learn later, he killed himself in his cell after reading a goodbye letter from Karen. Was she a willing participant in the horror? Was she a victim who narrowly avoided tragedy, herself? In this first hour, it’s very tough to tell. Karen did time for aiding and abetting him, but she’s not exactly sure what she did: She’s blocked most of the memories of that part of their time together. Through flashbacks, we learn that Emma (fka Karen) was wildly in love with a man named Kit Parker, a tattoo artist who was convicted of the murders of several young women. Only Murders in the Building Boss Breaks Down Season 3 Premiere’s ‘Double Twist’ - Did Meryl Streep’s Loretta Kill Ben?
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